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During the robbery, Lang gets carried away and attempts to steal his boss's personal property, including his car. After accidentally crashing the car, Lang is caught and eventually imprisoned. After being beaten by the devil of Hell's Kitchen, Turk Barrett is visited in hospital by private investigator Jessica Jones, who has been hired by one of Barrett's baby mamas to get money from him to support their child. Prior to the release of Marvel's Jessica Jones television series, a Jessica Jones one-shot was released digitally on October 7, , written by Brian Michael Bendis with art by Michael Gaydos, the original creators of the character.

David Mack also returns from the original comic Alias as the cover artist. Print versions of the comic were exclusively handed out at New York Comic Con Bendis explained that the one-shot 'is in the Marvel TV universe and it celebrates the new show'.

The comic explores 'the connective tissue that will build between the series', by having Daredevil appear in a Jessica Jones story. Months later, Brock Rumlow awakes from a coma and learns of Hydra's defeat and the death of his leader, Alexander Pierce, deciding to head out on his own. After the battle of Sokovia years later, Captain America is balancing his personal search for Barnes with his duties as leader of the new Avengers.

The former leads him and the team to Nigeria, where instead of Barnes they find Rumlow, now going by 'Crossbones'. The Masters of the Mystic Arts—Kaecilius, Wong, Tina Minoru and Daniel Drumm—pursue a woman as she attacks several landmarks around London with a stolen dark sceptre, a powerful artifact. The arrogant Kaecilius attempts to subdue the woman himself, but it takes the combined power of the masters to overcome the sceptre's magic. After reclaiming it, the Masters store the relic in their Sanctum Sanctorum with others like it.

They also successfully retrieve the artifact, and it is placed in the Sanctum as well. This comic tells the story of how T'Challa first became the Black Panther, protector of the isolationist country Wakanda, a story not yet told in the MCU.

The comic is set 10 years before the film Black Panther , around the end of the first Iron Man film, and reveals that T'Challa has been acting as the Black Panther since then, making him that hero for almost a decade before his film introduction in Captain America: Civil War.

The first comic tells the present whereabouts of all the Avengers after the events of Civil War. This table includes characters who have appeared in multiple MCU tie-in comics, headlining at least one. It's a solid comic that's overwhelmed by small problems. Fury's Big Week received praise from CJ Wheeler of Den of Geek, who thought the tone of the series was 'a perfect fit for the Marvel Cinematic Universe so far and will get you stoked for what's to come.

James Hunt of Comic Book Resources found the Iron Man 3 Prelude to be 'dull and disappointing', calling the building of stakes around untouchable characters, like War Machine, a mistake, and criticizing the 'rushed or phoned in' artwork. For IGN, Schedeen gave Issue 1 of the Thor: The Dark World Prelude a score of 6 out of 10, stating that it 'fails to offer a cohesive story or enough compelling material to justify a purchase', and Issue 2 a score of 5 out of 10, calling it 'a dull, pointless lead-in to the next Thor movie'.

He criticized the focus of the series for serving as an explanation for 'nitpicky questions' rather than being an actual lead in to the story of the film, and he found the artwork to be 'awkward', 'flat and dull'. He was more positive about the artwork, however, calling the work of Scot Eaton and Ron Lim 'beautiful', and praising the work of inkers Andrew Hennessy and Rick Magyar for making the different artwork appear consistent across issues. He found the artwork 'serviceable', but stated that the 'colored pencil artwork doesn't work Zawisza, again for Comic Book Resources, had similar feelings about the Guardians of the Galaxy Prelude , giving it 3.

He had high praise for the artwork as well, calling it 'very well drawn, showcasing Wellinton Alves' ability to craft worlds and create distinguishable characters'. Schedeen scored Ant-Man Prelude 1 a 6. Calling it 'unfulfilling', he scored the issue a 5.

Which he's fine with, but not sure how to use. Asher Angel is Billy and the adult superhero he can transform himself to is Zachary Levi. Watching Levi as the adult is like watching Adam Sandler. Maybe the producers tried for Sandler originally. Things go great until he runs into a super villain Mark Strong. It seems back in the day when Strong was a kid he entered the same realm, but was rejected.

Now he's back having aligned himself with demon forces. By the way no name for the superhero is decided so you will not hear Captain Marvel. That comes in a sequel I'm sure. The CGI effects are fairly good and more than adequate for the genre, and the storyline makes some fun nods at the 21st century obsession with social media.

I wasn't too keen on the sound of the kid humour in this, but it retains the wittiness of other modern superhero outings, so it's not too bad at all.

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